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	<title>Country &#38; Eastern</title>
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	<link>http://www.countryandeastern.se</link>
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		<title>Country &amp; Eastern News &#8211; may 2012</title>
		<link>http://www.countryandeastern.se/?p=3057</link>
		<comments>http://www.countryandeastern.se/?p=3057#comments</comments>
		<pubDate>Thu, 10 May 2012 08:26:19 +0000</pubDate>
		<dc:creator>Beche</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Ambient]]></category>
		<category><![CDATA[Bellare]]></category>
		<category><![CDATA[Bengt Berger]]></category>
		<category><![CDATA[Berger Knutsson Spering]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[Don Cherry]]></category>
		<category><![CDATA[Elias Krantz]]></category>
		<category><![CDATA[Folk music]]></category>
		<category><![CDATA[Free]]></category>
		<category><![CDATA[Improvisation]]></category>
		<category><![CDATA[India]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Kjell Westling]]></category>
		<category><![CDATA[Mats Öberg]]></category>
		<category><![CDATA[ney]]></category>
		<category><![CDATA[Roland Keijser]]></category>
		<category><![CDATA[Swedish]]></category>
		<category><![CDATA[tabla]]></category>
		<category><![CDATA[Turkey]]></category>
		<category><![CDATA[West Africa]]></category>
		<category><![CDATA[World Music]]></category>

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		<description><![CDATA[May 10: The Bible ends - may 17: the Bucky Dome opens - may 22: Six new C&#038;E releases. <a href="http://www.countryandeastern.se/?p=3057">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Hectic days for Country &amp; Eastern:</p>
<p>A few days after the end of the Bible we are heavily involved in the Bucky Dome at Skeppsholmen opening on may 17 with inauguration, re-release on cd and vinyl of Don Cherry&#8217;s old double album Organic Music on the Caprice label. Release concert with the Organic Music Band. Plus release of the new Neneh Cherry &amp; The Thing album with a live performance as well. It starts at 2.30 pm, <a href="http://www.modernamuseet.se/Documents/Program/Bucky_Dome-inbjudan_17maj.pdf" target="_blank">here is your invitation</a>, and the program for the summer will be found there as well. The Dome will be open daily during the summer and there will be lots and lots of music, most of it free for all.</p>
<p>On the 19th, The Organic Music Band will give a concert with David and Eagle-Eye Cherry and Jeanpiero Pramagiore at 7 pm.</p>
<p>On may 22 at 5 pm C&amp;E have a grand release party of our new 6(!) albums with <a href="http://www.countryandeastern.se/?page_id=9&amp;album_id=ce21&amp;menu=all&amp;set=n" target="_blank">Iskra</a>, <a href="http://www.countryandeastern.se/?page_id=7&amp;artist_id=roland_keijser" target="_blank">Westling-Keijser-Berger</a>, <a href="http://www.countryandeastern.se/?page_id=9&amp;album_id=ce17V&amp;menu=all&amp;set=n" target="_blank">Elias Krantz</a> and TWO legendary <a href="http://www.countryandeastern.se/?page_id=7&amp;artist_id=bellare" target="_blank">tabla albums</a>. Live music by Iskra, Keijser/Berger. DJ Elias Krantz.</p>
<p>On may 29 <a href="http://www.countryandeastern.se/?page_id=7&amp;artist_id=berger_knutsson_spering" target="_blank">Berger-Knutsson-Spering</a> with guests will start a workshop around Don Cherry&#8217;s music to be held each tuesday at 5 pm during june and august. Feel free to come and join us to learn or teach Cherry music.</p>
<p>We will try to keep the program updated on the right</p>
<p>Here you find pdf:s in swedish and english with all details:</p>
<p><a href="http://www.countryandeastern.se/2010/pdf/120512_cenews_eng.pdf"><img src="http://countryandeastern.se/2010/wp_images/120512_cenews_eng220px.jpg" alt="" title="C&amp;E news, english, may 2012" width="220" height="304" class="alignleft size-full wp-image-3058" /></a><a href="http://www.countryandeastern.se/2010/pdf/120512_cenews_swe.pdf"><img src="http://countryandeastern.se/2010/wp_images/120512_cenews_swe_220px.jpg" alt="" title="C&amp;E News, swedish, may 2012" width="220" height="307" class="alignnone size-full wp-image-3059" /></a><a href="http://www.countryandeastern.se/2010/pdf/120512_cenews_eng.pdf"></a></p>
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		<title>We close The Bible again on may 10!</title>
		<link>http://www.countryandeastern.se/?p=2764</link>
		<comments>http://www.countryandeastern.se/?p=2764#comments</comments>
		<pubDate>Thu, 10 May 2012 07:09:24 +0000</pubDate>
		<dc:creator>Beche</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Beches Brew]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[devotional]]></category>
		<category><![CDATA[Gothenburg]]></category>
		<category><![CDATA[Niklas Rådström]]></category>
		<category><![CDATA[Swedish]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[World Music]]></category>

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		<description><![CDATA[Tonight we close the book again after the last performance of The Bible. It has been seven good months in the best company possible. <a href="http://www.countryandeastern.se/?p=2764">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>After four months of rehearsals we premiered &#8220;The Bible&#8221; (yes, the whole one) at Göteborgs Stadsteater on february 17. After 30 performances lasting four and a half hours we play the last one tonight on may 10, 2012. It has been a good time.</p>
<p>Niklas Rådström took on the task to dramatize the whole Bible and it was performed by the big ensemble at Göteborgs Stadsteater directed by Stefan Metz. The music was played by The Three Wise Men (a subsidiary of Beches Brew), Göran Klinghagen (S.I.A.), Stefan Bellnäs (S.I.A.) and Bengt Berger. </p>
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		<title>Night Ice (vinyl)</title>
		<link>http://www.countryandeastern.se/?p=3050</link>
		<comments>http://www.countryandeastern.se/?p=3050#comments</comments>
		<pubDate>Wed, 09 May 2012 10:36:47 +0000</pubDate>
		<dc:creator>Beche</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[Elias Krantz]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[Swedish]]></category>

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		<description><![CDATA[This is the same album as Night Ice, except for the fact that there was not enough room on the LP for all the pieces, so &#8220;Like Breathing&#8221; had to go, however you find it on the cd and on &#8230; <a href="http://www.countryandeastern.se/?p=3050">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This is the same album as <a href="http://www.countryandeastern.se/?page_id=9&amp;album_id=ce17&amp;menu=all&amp;set=n" target="_blank">Night Ice</a>, except for the fact that there was not enough room on the LP for all the pieces, so &#8220;Like Breathing&#8221; had to go, however you find it on the cd and on the digital release as well.</p>
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		<title>May 22 release: Night Ice by Elias Krantz on vinyl!</title>
		<link>http://www.countryandeastern.se/?p=2176</link>
		<comments>http://www.countryandeastern.se/?p=2176#comments</comments>
		<pubDate>Wed, 09 May 2012 09:43:47 +0000</pubDate>
		<dc:creator>Beche</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[Elias Krantz]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[Swedish]]></category>

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		<description><![CDATA[On may 23 2011, Country &#038; Eastern took a step in a new direction with the release of Elias Krantz album Night Ice.
Exactly one year later Elias will DJ when we release Night Ice on vinyl. Release party on may 22 at 5 pm in the Bucky Dome at Skeppsholmen, Stockholm. <a href="http://www.countryandeastern.se/?p=2176">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><object width="508" height="315" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="quality" value="high" /><param name="allowFullScreen" value="true" /><param name="src" value="http://psl.svt.se/psl/wordpress/wp-content/themes/psl/flash/player-16-9.swf?movie_id=22241" /><param name="allowfullscreen" value="true" /><embed width="508" height="315" type="application/x-shockwave-flash" src="http://psl.svt.se/psl/wordpress/wp-content/themes/psl/flash/player-16-9.swf?movie_id=22241" quality="high" allowFullScreen="true" allowfullscreen="true" /></object></p>
<p>Buy Tody Motmot single from the album at <a target="_blank" href="http://www.klicktrack.com/klicktrack/releases/elias-krantz/night-ice">Klicktrack</a> or get it:</p>
<p>MP3 of <a target="_blank" href="http://www.countryandeastern.se/2010/mp3/tody_motmot.mp3">Tody Motmot</a> from the Night Ice album.</p>
<p>MP3 of <a target="_blank" href="http://www.countryandeastern.se/2010/mp3/tody_motmot_pistol_disco_remix.mp3">Tody Motmot Remix </a>by Pistol Disco</p>
<p>The album got a good review in Dagens Nyheter and an excellent write up in Sonic Magazine (both swedish) where one song is included on their sampler.</p>
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		<title>A Private Tabla Concert, Chembur 1968</title>
		<link>http://www.countryandeastern.se/?p=3041</link>
		<comments>http://www.countryandeastern.se/?p=3041#comments</comments>
		<pubDate>Tue, 08 May 2012 20:32:20 +0000</pubDate>
		<dc:creator>Beche</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Hindustani]]></category>
		<category><![CDATA[tabla]]></category>

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		<description><![CDATA[This is a truly nostalgic tabla solo. Pandit Ravi Bellare begins with taking you through a traditional Farukhabad Peshkar as it must have been performed decades ago. Ravi explains and plays the intricate details of the Peshkar, showing us the &#8230; <a href="http://www.countryandeastern.se/?p=3041">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This is a truly nostalgic tabla solo. Pandit Ravi Bellare begins with taking you through a traditional Farukhabad Peshkar as it must have been performed decades ago. Ravi explains and plays the intricate details of the Peshkar, showing us the poetic nature behind it. After the elaborate exploration of the peshkar Ravi plays a variety of composition types, Kaidas, Relas, Gats, Parans, Chakradhars and many authentic Farukhabad compositions as well as rare Kudow Singh Gharana Gats only to be heard from a true master like Ravi. He captivates the listener with each composition and you can constantly hear the audience’s excitement as the sum, the climax of the composition is reached. His mastery of Padant (recitation) is also phenomenal and precise. Many rare compositions are recited and then played in this recording and can be heard with great clarity.</p>
<p>Ravi proves to the audience that even after having been away from practice for more than twenty years, his hands and memory are in full form. To the layman this recording will be a treat to listen to, for the aspiring student it will be a life long pursuit to master the art and play it the way Ravi Bellare plays it in this incredible intimate solo recital.</p>
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		<title>Tabla Jugalbandi for Ustad Shamsuddin Khan&#8217;s Punyatith, 1968</title>
		<link>http://www.countryandeastern.se/?p=3039</link>
		<comments>http://www.countryandeastern.se/?p=3039#comments</comments>
		<pubDate>Tue, 08 May 2012 20:29:08 +0000</pubDate>
		<dc:creator>Beche</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Hindustani]]></category>
		<category><![CDATA[tabla]]></category>

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		<description><![CDATA[This recording from the Puniyatithi (memorial concert) for ustad Shamsuddin Khan in 1968 is going to be one of the finest authentic and rare tabla jugalbandis (duets) you will ever hear. Shashi &#38; Ravi were the first to introduce tabla &#8230; <a href="http://www.countryandeastern.se/?p=3039">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This recording from the Puniyatithi (memorial concert) for ustad Shamsuddin Khan in 1968 is going to be one of the finest authentic and rare tabla jugalbandis (duets) you will ever hear. Shashi &amp; Ravi were the first to introduce tabla Jugalbandi and Sawal Jawab (question and answer between the two artists). from a very young age in the early 1940’s they became two of the most sought after players of their time</p>
<p>Apart from being a celebration of their great grand guru, the occasion was further enhanced by the fact that the twins had not played together for several years, so there were many tabla players in the audience. Their duets were always regarded as the finest and the twins admired by great masters like Ustad Ahmedjan Thirakwa &amp; Ustad Shamsuddin Khan. in this crystal clear recording you will hear rare compositions from the Farukhabad, Delhi, Ajrada and Banaras gharanas (various tabla traditions) played extemporaneously. Their guru Pandit Taranath Rao referred to Ravi &amp; Shashi as the Ajanta &amp; Ellora caves. he said that their knowledge of the art of playing tabla was so deep that the comparison was most fitting for the twins. Every time you hear this recording it will seem like the first. </p>
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		<title>Shashi &amp; Ravi Bellare</title>
		<link>http://www.countryandeastern.se/?p=3035</link>
		<comments>http://www.countryandeastern.se/?p=3035#comments</comments>
		<pubDate>Tue, 08 May 2012 19:57:20 +0000</pubDate>
		<dc:creator>Beche</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Hindustani]]></category>
		<category><![CDATA[tabla]]></category>

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		<description><![CDATA[Shashi Bellare (1927-2012) and his twin brother Ravi Bellare (1927-2005) were the first to introduce tabla Jugalbandi (duets) and Sawal Jawab (question and answer between the two artists). From a very young age in the early 1940’s they became two &#8230; <a href="http://www.countryandeastern.se/?p=3035">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Shashi Bellare (1927-2012) and his twin brother Ravi Bellare (1927-2005) were the first to introduce tabla Jugalbandi (duets) and Sawal Jawab (question and answer between the two artists). From a very young age in the early 1940’s they became two of the most sought after players of their time</p>
<p>Their duets were always regarded as the finest and the twins admired by great masters like Ustad Ahmedjan Thirakwa &amp; Ustad Shamsuddin Khan. Their guru Pandit Taranath Rao referred to Ravi &amp; Shashi as the Ajanta &amp; Ellora caves. he said that their knowledge of the art of playing tabla was so deep that the comparison was most fitting for the twins. Every time you hear these recordings it will seem like the first. </p>
<p>When the recordings that we release were done the twins had not played together for several years so their appearance in Bombay at the Punyathiti for their grand Guru Shamsuddin Khan were eagerly anticipated by many, especially tabla players.</p>
<p>A few days after the duet, Ravibhai accompanied the great khyal singer Arolkar in a private concert and on this occasion he played a faboulous tabla solo where he also demonstrated the art of peshkar in a fascinating way. This recording is released in digital-only format.</p>
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		<title>ISKRA</title>
		<link>http://www.countryandeastern.se/?p=2987</link>
		<comments>http://www.countryandeastern.se/?p=2987#comments</comments>
		<pubDate>Tue, 08 May 2012 13:15:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press_new]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[Free]]></category>
		<category><![CDATA[Improvisation]]></category>
		<category><![CDATA[Swedish]]></category>

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		<description><![CDATA[From 1970 to 1992, ISKRA was Scandinavia’s foremost group for free improvised music. They made fanciful, unpredictable, uniquely personal music that transgressed all genre boundaries. ISKRA’s music was built on collective improvisation, and the arsenal of instruments used was limitless. &#8230; <a href="http://www.countryandeastern.se/?p=2987">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>From 1970 to 1992, ISKRA was Scandinavia’s foremost group for free improvised music. They made fanciful, unpredictable, uniquely personal music that transgressed all genre boundaries. ISKRA’s music was built on collective improvisation, and the arsenal of instruments used was limitless.</p>
<p>Apart from giving regular concerts, ISKRA also produced workshops for children and adults. The group gave many performances for radio and TV, and released four LP albums and one CD.</p>
<p>In the autumn of 2003 original ISKRA members Jörgen Adolfsson, Tuomo Haapala, Sune Spångberg and Arvid Uggla reunited at Café Aguéli in Stockholm for a spontaneous casual concert. The music was recorded and is now released on this Country &amp; Eastern CD.</p>
<p>&nbsp;</p>
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		<title>Per Tjernberg</title>
		<link>http://www.countryandeastern.se/?p=2988</link>
		<comments>http://www.countryandeastern.se/?p=2988#comments</comments>
		<pubDate>Tue, 08 May 2012 13:15:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press_new]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[Jazz]]></category>
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		<description><![CDATA[Percussionist and composer Per Tjernberg has been active on the Swedish music scene since the mid-seventies when he started the group Archimedes Badkar, of now- declared cult status. He has brought his huge collection of instruments and knowledge of music &#8230; <a href="http://www.countryandeastern.se/?p=2988">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Percussionist and composer Per Tjernberg has been active on the Swedish music scene since the mid-seventies when he started the group Archimedes Badkar, of now- declared cult status. He has brought his huge collection of instruments and knowledge of music from all over the world to numerous groups in the fields of jazz, free improvisation, rock, reggae, latin, afro and R&amp;B, and collaborated with artists such as Dr John, Don Cherry and painter Mati Klarwein with whom he made the music &amp; spoken word-album “No Man´s Land” (1997) that Carlos Santana in his liner notes labeled “music of the spheres with earth rhythms and overtones of deliciously mad, sensual and spiritual overtones”. He was the first Swedish artist to work with American rap-artists (on the internationally successful album “Don´t Stop” in 1982) and his dub-reggae outfit Universal Riddim included scratch-turntablists alongside tabla-and oud-players, releasing two albums unlike any other reggae music.</p>
<p>Tjernbergs last album “Inside Information” showcased his compositions for a large assembly of Swedens finest jazz musicians, including Bobo Stenson and Bernt Rosengren. On “Music Is My Salvation” – his 12th solo outing – he continues to write in the large format while the expanding the instrumentation into chamber territory with harp, strings and multiple woodwinds. The latter was mostly handled by the brilliant multi-instrumentalist Kjell Westling, who tragically passed away shortly after the recording. Tjernberg calls Westling “one of the music worlds hidden treasures” who among the many instruments he so masterfully played (piano, violin. brass instruments etc:) here shines on saxophones, flutes, clarinets and Spanish lute.</p>
<p class="MsoNormal">
<p>&nbsp;</p>
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		<title>Elias Krantz</title>
		<link>http://www.countryandeastern.se/?p=2989</link>
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		<pubDate>Tue, 08 May 2012 13:15:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Elias Krantz’s music revolves around asymmetrical melodies, driving rhythms and ambient soundscapes. These elements, when combined, conjure up a strange mix of melancholy and euphoria. A wide range of different instruments co-exist while adhering to the principle, as Einstein once &#8230; <a href="http://www.countryandeastern.se/?p=2989">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Elias Krantz’s music revolves around asymmetrical melodies, driving rhythms and ambient soundscapes. These elements, when combined, conjure up a strange mix of melancholy and euphoria. A wide range of different instruments co-exist while adhering to the principle, as Einstein once said  &#8221;Make everything as simple as possible, but not simpler&#8221;</p>
<p>&nbsp;</p>
<div id="_mcePaste">Elias&#8217; first album “Island Rock” was released via Airwaves in 2007 to rave reviews.</div>
<div id="_mcePaste">While listening to his new album you might be reminded of Krautrock legends such as NEU! and Can, as well as modern post-rock in the vein of Tortoise, Four Tet and Caribou, but obviously Elias has a very personal and unique musical language.</div>
<div id="_mcePaste">He has been working on the follow up over the last two years and the result will be released on Country &amp; Eastern on May 23rd.<br /> The name of the album is Night Ice.</div>
<div>It&#8217;s hard to avoid hyperbole in texts like these but this album is indeed a huge step forward from his debut. More collaborations with a wide range of different musicians have allowed more ideas to be explored and developed. The result is an album in which your favorite track changes with every listen. Its brave, dynamic and as pure as they come. An album worthy of the two years spent on it&#8217;s details.&#8221;</div>
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<div>&#8220;Tody Motmot&#8221; a video from Elias&#8217; forthcoming album Night Ice: </div>
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